For the Birds Part Deux: A Meadowlark and a Roller Pigeon

Those who know me well are aware that I am a huge nerd.  I see literary and film references everywhere, especially in places which seem entirely unrelated.  Rereading and rewatching Outlander has me seeing birds everywhere. Diana Gabaldon has turned me into a bird brain.  Thanks, girl!

The Ever-F*ckable Claire Fraser (and other assorted women's issues)

Written by: Holly Richter-White

Okay so the title did get your attention.
I am writing this to wake you up.  You, the women readers and TV watchers, and the men who have a conscience and a heart.  I’m asking if we've gone backwards in time?  Our role, our rights as women, I mean.
So let me explain....


It's All In The Details

Written By : Paige Contreras

Details, details, details. They say a lot about a show and the dedication of the cast and crew. Especially going from page to screen, keeping those details in the story are crucial. Even the little things that might not seem important, can either make or break the adaptation. Considering Outlander, which is famous for its incredible on point detail, is a challenge. Granted, some things where either altered or kept out all together. Those books are HUGE people, so despite some complaining, not everything could be kept. But as we have seen, the creators and even the actors have risen to the challenge of keeping the things that have meaning to us.


News Update

Written by Caroline Trevor


A BIG news update about certain characters appearing in season 2, festivals, tourism in Scotland and Outlander season 1 vol.2 DVD/blu ray release


Wonder, Disappearances, and Time Travel: Seeing Myself in Outlander

Written By: John Bucher

In the opening moments of Outlander’s pilot episode, Claire states, “People disappear all the time. Mostly there’s an explanation. Mostly.” This mysterious statement welcomes us to a world that will defy explanations and reinforce the hidden truths of folktales.

Throughout history, there have been mysterious appearances, disappearances, and passages through time of individuals that seem to defy reason. Could Claire’s journey ever really happen? Will we ever see a day that passage through the space-time continuum is actually feasible? Is it possible that some have already managed to sneak through it? Are there occurrences we just don’t have good reason to support?


Meet the Frasers: Delving Into Jamie's "Real" Ancestry

Written by:  Sara Mordzynski

“I come to you as kinsman and as ally.  But I give you no vow.  For my oath is pledged to the name I bear.”
Here are Jamie’s words as he explains to his uncle and Chief of Clan MacKenzie, his refusal to swear an oath of allegiance.  But who were the Frasers?  What are the origins of this clan with its very ungaelic surname. It was not essential for the narrative of the TV adaptation to explore this, but  I thought it would be interesting to delve into the history of our beloved hero’s clan (at least up to the time frame of Outlander), because, well  I am a sucker for history and a sucker for anything even remotely connected to Jamie.


Playing Jamie. Staying Sam.

Written by: Holly Richter-White

All the pretty girls like Sam.

Ohh he really doesn't share

Although it's more than he can handle.

Life is anything but fair, life is anything but fair.

-Kaleo "All the Pretty Girls"-

It’s easy to mix up Sam Heughan with Jamie Fraser.


NEWS: Sam Heughan Wins Best Actor Award

Written by: Caroline Trevor

After Outlander's success in the EWWY entertainment awards, we know have another award to the Outlander family with Sam Heughan winning the award for Best Actor in the Gold Derby awards. Congratulations to Sam, we really appreciate all the hard work you have done in bringing Jamie to the small screen.


Curing that Emmy Expectation Hangover, continued...

Written by: Ashley Crawley

Roll out the red carpets, the Emmys are this Sunday. Ho hum. Two months have passed since the nominations were announced and the pain of hearing Outlander *crickets* still feels fresh. For those who missed my first offering on how to cure that Emmy expectation hangover, read here.

Let’s be honest – I talk a big game about how to curb the need for Emmy validation, but found myself right back in the trenches of disappointment after this past weekend’s Creative Arts Emmys saw our beloved Bear McCreary and his songbird wife Raya Yarbrough defeated by House of Cards for Outstanding Original Score. Sixteen intros later and I still get chills when her voice pipes in and the score starts up. How could that not merit an Emmy?


NEWS: Ronald D. Moore's Impromptu Q & A

Written by: Caroline Trevor

Ronald D. Moore took time out of his busy schedule to answer some questions on twitter regarding casting, writing, season 2, his favorite drink at a baseball game and character appearances.


NEWS: Behind The Scenes Photos In Prague

Written by: Caroline Trevor

Outlander has been filming in Prague recently.  Hit the jump to see what Cat, Sam and others look like in their fancy new costumes!


NEWS: Filming at Pollok Park

Written by: Caroline Trevor


There has been some filming being seen in Pollok Country Park near Glasgow. 

Only click "Read More" if you are willing to see spoilers for Outlander season 2.


An Open & Honest Letter To STARZ

Written By: Blake Larsen


You need to wake up.  It's time to evolve. I don't mean the way you say to your little brother when he puts your panties on his head and runs around the house.  I don't even mean the way you say it to your husband when he drinks one too many adult beverages, wakes up the next morning and asks why he's got a splitting headache either.  You need to wake up and evolve because you finally have a quality product in Outlander, and you've done nothing to take your own brand to the next level.  You need to wake up and evolve because, in comparison to HBO, you're barely even an amoeba.  And, it shouldn't have to be that way.  Here's why...

Rent : Why It Shouldn't Be A Forgotten Episode

Written by: Paige Contreras

Everyone has their favorite episode. Most will say "The Wedding" or "The Devils Mark" or "To Ransom A Man's Soul". Don't get me wrong, though, these episodes are all amazing. Each are specatacular for different reasons. Whether it be acting, cinematography, costumes or directing, they are all on point. Some of the best I have ever seen on television. And you see alot of discussions about these episodes, too. But not "Rent". I've noticed that. Or maybe I just haven't been paying attention close enough. And it's kind of a shame, I think. Quite a few things, I think, go unnoticed in this episode.

Birthing In Outlander: The Not So Accurate Debut of Margaret Ellen Murray

Written by: Sara Mordzynski

In honor of Labor Day Weekend…let’s talk about labor, of a different kind.

In reviewing Episode  113, The Watch, it is interesting to note that two distinct, almost separate arcs develop and essentially do not intersect at all.  On the one hand, there is the dynamics of Jamie’s relationship with other men, primarily, Ian Murray, Tarrin MacQuarrie and the deserter, Horrocks; on the other, is the interplay of Claire’s increasingly warm bond with Jenny which is forged in the domestic world of home, hearth and impending motherhood. It will continue to evolve in the subsequent episode, The Search. This article will focus exclusively on the TV version’s portrayal of labor and birth.  In no way is it meant to disparage the expert consultants who were utilized by the production team.  They provide the data; the showrunner, writer and director have the prerogative to alter that information to make it suitable for their narrative. 

What does that mean? Outlander is not the manual of what happens in childbirth—as a TV adaptation of a historical fiction/romance/adventure (and all those other categories it may fall into), it may alter facts to fit its narrative goals.  With that in mind, I will simply separate the drama from what actually happens.


Let’s Talk About Frank: Bit Player or Significant to the Story?

Written By: Anne Gavin

Note: This Post Contains Spoilers

So what about Frank Randall?  One of my fellow staff writers for this blog wrote a very extensive piece recently about her feelings on the enigmatic Mr. Randall.  However, I have a bit of a different take on the first husband of our intrepid heroine; former British Intelligence officer, Historian, Genealogist, supposed descendant of the evil Black Jack Randall, non-industrious lover and maybe one of the most misunderstood characters of the Outlander book and television series.  What makes Frank tick and why are the TV Series producers so keen on “Frank’s Story”?  Let’s discuss how one boring historian can ignite the Outlander Fandom into furious frenzy at the mere mention of his name.


For the Birds: Examining Outlander's Avian Imagery

Written by: Kendra Spring Klasek

Outlander is a literary work replete with metaphorical imagery, none of it accidental. Perhaps no single image is more ubiquitous than that of a wide variety of birds. In this piece, I will examine the species of birds which make major appearances in both the book and the show and what they mean in the context of character and locale. Because of the wealth of variety in regards to species, behavior, and folklore, bird imagery is rife in literature, and much of it resonates here. So, because this is Outlander, and some of you have been keeping a boob count, we'll start with a pair of tits.

Colum's Caged Songbirds

"As I entered, my attention was drawn at once by an enormous cage, cleverly engineered to fit the curve of the wall from floor to ceiling, filled with dozens of tiny birds: finches, buntings, tits and several kinds of warblers." - Outlander, Chapter 5 (The Mackenzie) Diana Gabaldon

This is the first glimpse Claire gets of Colum Mackenzie's inner sanctum and the birds in that cage say a lot about the man she is about to meet. So what do these birds symbolize? Let's not focus on the immediate overall metaphor that caged birds always represent, but take each species individually.

At the risk of being a tease, let's leave those tits in the cage for just a moment and have a look at the finches:

Photo courtesy:

Finches are easily identifiable by their tiny bodies, bright red heads and bellies, and long twittering songs. (

Now the buntings:

Photo courtesy:

Buntings are bright colored song birds. Because they do not do well in captivity, passing disease on to other animals, they are illegal as caged birds. Their songs are so beautiful, however, that some species of buntings (specifically, the painted bunting) have led to an illegal trafficking market. As ludicrous as it may seem, these birds are sold to be secretly pitted against each other in singing competitions. It's like 'Bird Idol', except highly illegal and the birds tend to die. (

The warblers:

Photo courtesy:

Old world warblers are small and, because of their wide variety, often indistinguishable and, again, known for their songs. (

Finally, as promised, lets examine those tits.

Tits came by their name due to their minuscule size. Though tiny, they are the most vocal songbird. Highly intelligent and quick learners, Tits are also known as Chickadees, due to their boisterous rallying call. This cry "chickadee-dee-dee!" is used to summon all others nearby to attack an invading predator. The number of "dee" syllables at the end of the call increases with the level of the perceived threat. (Templeton, Christopher; Greene, Erick; Davis, Kate)

So in researching these birds, I found frail little songbirds trapped in a cage; one songbird known to grow ill in captivity, one known for it's beautiful red plumage and then boom! Tiny little badass warrior bird.

Now we've got a pretty clear picture of Colum Mackenzie and he's not yet even entered the picture.  Colum is a proud man, described by Diana in the book as striking, were it not for his diminutive stature brought about by his withered legs. The finches' red plumage represent this striking nature, all the way down to the small stature. The buntings represent the contradiction resultant from his diseased body and eloquent and cunning speech.  The warblers also echo his eloquence. And then we have the tits. These represent the military power and cunning of The Mackenzie, disguised by his crippled body. The birds tell us who he is, all trapped inside a cage of deformity.

Jamie and the Plover

The next bit of imagery we'll look at are the birds Jamie and Claire discover just before their encounter with Hugh Munro.

"This tarn at least had birds; swallows dipped low over the water to drink, and plovers and curlews poked long bills into the muddy earth at its edges, digging for insects." - Outlander, Chapter 17 (We Meet a Beggar) Diana Gabaldon

Before we delve into the overtly stated metaphor of the plover, let's quickly look at the other two species, keeping in mind the chronological context of our story at this point.

First, the swallow:

Photo courtesy:

Let's resist the urge to discuss their air-speed velocity and keep in mind that this would be a European swallow, as we all are well aware that "African swallows are non-migratory." European swallows are highly migratory. Their blue backs, red faces and long forked tail feathers make them quite distinctive and what's equally important . . . established pairs mate for life, however, they do sometimes breed outside the pair, making them socially monogamous but genetically polygamous. (Møller, Anders Pape)

Sound like anyone we know?

Let's move on to the curlew:

Photo courtesy:

The curlew is a widespread and quite common bird found in wet grasslands and meadows, near moorlands, estuaries or wherever packed mud is present, where they can forage to satisfy their diet of worms, invertebrates, and small crabs. Their nest is a bare scrape. (

We've gathered our colors, as it were, so let's paint our picture of Jamie and Claire at this point in the story. They are in their "honeymoon" period. They have paired up, but Claire is essentially involved in "extra-pair copulation" (Møller, Anders Pape) Those familiar with the larger scope of the series of books will see further parallels, but I'll not spoil them here. It is enough to know that Claire is involved with, and bound to, two men at this point. However exciting and profound this new pairing is, it is not without it's hardship.  Claire and Jamie are on the road and, while not yet on the run, they have no real home they can go to, sometimes making camp with the men of Leoch under the stars, "nesting", if you will, on a "bare scrape" of ground. Throughout the course of their story, they are highly migratory, always on the move.

Let's now look at that plover I mentioned earlier. This little lady is going to act as our primer for this entire exploration.

Photo courtesy:

First, we'll look at the context:

"Jamie called my attention to a plover, calling and dragging a seemingly broken wing near us. 'She's a nest somewhere near,' I said." - Outlander, Chapter 17 (We Meet a Beggar) Diana Gabaldon

They find the nest and Jamie pokes at it with a stick, throwing the momma bird into a tizzy. He waits quietly and then "in a flash of movement" has her in his hand, calming her in Gaelic. When he finally releases her, he crosses himself. Claire questions him about it and he explains.

"Ah, well.  It's an old tale, is all. Why plovers cry as they do, and run keening about their nests like that . . . Plovers have the souls of young mothers dead in childbirth . . . The story goes that they cry and run about their nests because they canna believe the young are safe hatched; they're mourning always for the lost one - or looking for a child left behind."

Claire makes the connection to his own mother.

"'How old were you?' I asked.  He gave me a half-smile. 'Eight,' he answered.  'Weaned, at least.'"

So here we have the first outright correlation between character and bird. Jamie identifying this bird with Ellen Mackenzie tells us how to look at the specific birds mentioned in the text. This is literature, not a documentary film. They can't just flutter into the camera's view, they have to be purposefully placed there. As I said, this is the primer Diana has left us to break her bird code.

We've looked extensively at some of the birds found in the book, so let's look at some of the avian imagery found in the show.

Sandringham's Peacock Pie

Let's talk about the Duke of Sandringham and that peacock pie, shall we?

Photo credit: Rina Caffarella for National Geographic Magazine

No need for citations here.  I grew up in south Florida and we had a peacock infestation.  Some well-to-do folks thought they were pretty and decided to raise them as pets before realizing they were extraordinarily unpleasant birds.  Before you know it, they bred and they spread.  No matter how beautiful these iridescent fowls are, they have a call that sounds like Fran Drescher being bludgeoned with a shoe. Not only are they loud, but they're nasty.  They treat their mates aggressively and abandon the peahens and their offspring after mating. This bird should not be this attractive. It should strut around in a wife-beater with a pack of Camels, not sporting such brilliant plumage.  That's what makes this foul fowl the perfect representation of the Duke of Sandringham.

To take this metaphor one step further, the peacock is presented stuffed and mounted atop a gigantic meat pie. Everything about it is a deception; a semblance of life, prettily adorning death. Simon Callow may not bear much resemblance to the Sandringham in the text, but he gets the foppishness and the nastiness just right. He's so fancy and fluffy in his powdered wig and little pants amongst all the highland regalia, but underneath it all is a rotten heart.

A Murmuration of Starlings

That brings us to 'The Devil's Mark' and those spectacular starlings:

Photo courtesy:

Much has already been said about the imagery in this episode, but I think it bears repeating. Starling murmurations are some of the most beautiful and haunting things in nature. These murmurations are scientifically described by "equations of critical transitions". (

Something I found out when I began researching this piece was that the starling population has undergone a steep decline since the 1970s.  New studies have been launched to discover how and why murmurations form, in an effort to find out how to save the species. A couple of interesting theories arose. One, that the starlings join together to avoid larger predators and two, that they fly together en masse to keep warm, multiplying their body heat by the hundreds. (

Interestingly, though we see that stunning murmuration in the title card, when Claire mentions the starlings, she sees only a single bird.

She has come to realize how alone she is. The terror and desperation of her proclamation, "No one is coming, Geillis!" speaks to that knowledge and manages to also snap Geillis out of her cool detachment. When they finally understand just how far up the creek they are, they turn to each other for strength. This is their critical transition.

Claire is a natural loner. Though she longs for stability, family, and community, these were foreign to her in her former life.  She has some of the natural traits of a starling (she is never able to keep her mouth shut for long) however, flocking is alien to her.  She has to learn this. We've seen how easily she has fallen in step with Jamie and they make a powerful team, but up to this point, he has been all she had.  It is beautiful and heartbreaking to see the depth of that newfound bond between Claire and Geillis, where each, in turn, demonstrates her willingness to go to the pyre for the other, sisters caught out of time.

St. Francis and the Birds

Finally, we'll look at Father Anselm.  There are no birds here, either in the film or the text, except in historical folklore.  Father Anselm is a Franciscan, thus named for St. Francis of Assisi. (Eleny via

Image courtesy:

There are two legends involving St. Francis and birds.

The first tells of him traveling with several companions near a small village and, upon seeing a flock of a great many species of birds, he approaches them and begins to preach.  Incredibly, the birds do not fly away.  They stay, as if they are listening, rapt by the power of his words. (

The second involves doves. St. Francis sees a young man walking to market with a cage containing a pair of wild doves he has captured.  Feeling sorry for the doves, who's eventual fate is surely to be the main ingredient in a pie of some sort, he convinces the man to give him the doves. He takes the doves out of the cage, cradles them gently (quite like Jamie and the plover), and tells them that he will build nests for them at his monastery and take care of them, but never hold them captive in the cage. He takes them home and does just that. He sets them free, but because his gentleness has tamed them, they stay until he gives his blessing for them to leave. (

First, we need to ask ourselves, if Father Anselm is Francis Assisi, then who do the birds represent? Clearly, they represent Claire and we see both legends reverberate through his interaction with her.

Claire hasn't come out and actually stated at this point that she is an atheist, but the implications are there, so when Father Anselm approaches her and asks her to participate in the ritual of Perpetual Adoration, we would expect her to flee, but instead, she walks with him and listens to his reasoning.

"For me, in that moment . . . it's as though time has stopped.  All the humors of the body, all the blood and bile and vapors that make a man; it's as though just at once all of them are working in perfect harmony." 

He continues . . .

"But just then, for that fraction of time, it seems as though all things are possible.  You can look across the limitations of your own life, and see that they are really nothing.  In that moment when time stops, it is as though you know you could undertake any venture, complete it and come back to yourself, to find the world unchanged, and everything just as you left it a moment before . . . As though, knowing that everything is possible, suddenly nothing is necessary."

Claire asks, "But do you actually DO anything?"

"'I?  Well,' he said slowly, 'I sit, and I look at Him.' A wide smile stretched the fine-drawn lips.  'And He looks at me.'" - Outlander, Chapter 38 (The Abby) Diana Gabaldon

She chooses to stay and listen, much like St. Francis' flock of birds and thusly, opens herself up to an experience that, though perhaps not purely "religious", is nonetheless profound.

Later, she confides in him the entirety of her story; her guilt involving the soldiers (including the adolescent boy) she kills while rescuing Jamie from Wentworth as well as her journey through the stones and through time, her marriage to Frank, and the circumstances surrounding her marriage to Jamie.  Anselm astounds her with immediate acceptance and deems it miraculous.  He absolves her of everything she may have (or thinks she has) done wrong, effectively releasing her from her cage of guilt and setting her free.  I, myself, think life and our choices in it are a bit messier than this tidy little package of absolution makes them out to be, but it does work in rounding out our final bird metaphor.

So, what imagery have you picked up on in either the books or the show? Did I miss any major bird cameos? Do you think Father Anselm's absolution was a cop-out or am I way off base?

Discovering Outlander

Written By : Paige Contreras

Nothing really prepares you for when you read a book. Especially one you've never heard of, seen a review about, or have never even heard of the author before. You may read the back cover or the synopsis on the inside, but it only gives you a general idea. Or, if your like me, all it takes is looking at the cover of a book. So when I saw Outlander, even though never hearing of it before, something made me stop, look, pick it up, and go to the checkout counter.

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